I've never really blogged about music much, even though it's something that I get a lot of pleasure from. I suspect this may be partly a fear of boring people, or appearing nerdy (though I really should have got over the latter by now), and partly that until recently I had a radio show in which I could enthuse about early music. I'm really missing it, although maybe no-one else is ;)
Anyway, this evening I've been listening to Lassus' Missa pro defunctis, performed by the Hilliard Ensemble (it's on a disk with his Prophetiae Sibyllarum, which are a somewhat different work!), and it's lovely. I have a fair selection of settings of this, and Lassus' is perfectly formed, and restrained without being bland. That's not to say I don't like the fireworks of Mozart's setting, but by the time you get to Verdi or Puccini, I think they forgot it's meant to be a liturgical work! Lassus' work has a timeless and contemplative feel to it, and certainly rewards careful listening to pick up more of the structure.
Anyway, this evening I've been listening to Lassus' Missa pro defunctis, performed by the Hilliard Ensemble (it's on a disk with his Prophetiae Sibyllarum, which are a somewhat different work!), and it's lovely. I have a fair selection of settings of this, and Lassus' is perfectly formed, and restrained without being bland. That's not to say I don't like the fireworks of Mozart's setting, but by the time you get to Verdi or Puccini, I think they forgot it's meant to be a liturgical work! Lassus' work has a timeless and contemplative feel to it, and certainly rewards careful listening to pick up more of the structure.
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