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posted by [personal profile] emperor at 09:49pm on 09/01/2007

This weekend was the third [livejournal.com profile] bardcamp. This time, we did classical plays. On Friday evening we had Timon of Athens, done using cue-scripts, which was a bit confusing. I'm not sure I'm entirely sold on it as an approach. The plot is fairly straightforward, but I'm a little suprised how obscure this play as, as it seemed pretty approachable to me.

Saturday, as ever, was a monster day, with 5 plays. We started with Troilus and Cressida, in which I played Hector, who was quite fun to do. Ulysses really loves the sound of his own voice, doesn't he? I'm still not sure what Shakespeare had against Achilles, though! The plot's a bit confused, though. Next was Julius Caesar, in which I had the title role; quite a tough thing to do, I think, since although in some sense the early part of the play is all about JC, he doesn't actually say a lot (it felt like I spent more time on stage as a corpse!). At least some people seemed to have like my performance, which is pleasing. As a play, it's growing on me. Cassius and Anthony were very well acted.

After lunch was Anthony and Cleopatra; I had a few very minor roles, which left me plenty of time to watch the action. Whilst Cleopatra is a great character, I'm not sold on the play as a whole - the narrative needs tightening, I think. After Anthony's greatness in JC, he's a bit of a drip in this play. I had great fun in Corilanus, being Junius Brutus, one of the tribunes who rabble-rouse, and get Coriolanus exiled. The crowd-actors were getting a bit carried away, which made it very hard work, though - although I suspect from an audience POV, having the tribunes really shout to be heard over the rabble was quite effective. [livejournal.com profile] gnimmel's Menenius was suitably offensive to us, too :)

Finally for Saturday was Lysistrata, translated from the Greek by [livejournal.com profile] libellum, and brought somewhat up-to-date (even the innuendoobscenity was translated into modern idiom!), with some sung numbers too. [livejournal.com profile] atreic was great as Demobilisa, despite being the only slightly-serious character. Excellent, if somewhat drunken, fun. The script even had footnotes! A car accident outside the place we were staying caused a brief distraction, and we had to send people without phalluses on out to check they were OK.

Sunday had only two plays, the first of which was MSND, which was somewhat cast against type (although not entirely); we managed to draw a lot of comedy out of it, which was fun, even if the "nice ass" pun was a bit painful...

In complete contrast, we finished with Titus Andronicus. I'd gone away expecting to play Bassianus, one of the nice guys, but was recast as Demetrius at the last minute. [livejournal.com profile] borusa were a pretty evil double act, and we managed to be suitably shocking, I think; the scene where we mock Lavinia having raped her and cut off her hands and tongue is particularly unpleasant. I found it slightly disturbing to do, but very rewarding too. [livejournal.com profile] verlaine was suitably doomed (and ironically Goth) as Titus, and there were a series of very strong performances, although at least some people shelted from the awfulness by finding bits of it funny.

Another great weekend. I look forward to the next one!
There are 10 comments on this entry. (Reply.)
 
posted by [identity profile] ashfae.livejournal.com at 10:46pm on 09/01/2007
although at least some people shelted from the awfulness by finding bits of it funny.

Me! Me!
 
posted by [identity profile] libellum.livejournal.com at 10:49pm on 09/01/2007
I can't see how you could fail to find Titus funny :)

You were excellent as Caesar, and I thought your Demetrius was spot on - especially physically. I wouldn't have wanted to run into you in a dark alley.

Wasn't the "nice ass" pun one of yours? :)
 
posted by [identity profile] libellum.livejournal.com at 10:51pm on 09/01/2007
Obviously not exclusively funny, but the best tragedy tends to have moments of comedy, just as the best comedy is often deeply sad. I concede that the levels of farcical absurdity which Titus reaches on occasion isn't normal for tragedy, but I actually think the tragedy (especially the tragedy of Lavinia) is heightened by it.
 
posted by [identity profile] mirabehn.livejournal.com at 10:59pm on 09/01/2007
I tend to jump into Titus both feet first and thus end up feeling queasy and distressed and slightly dizzy and with an oddly great tenderness for all the people in the world (I think it does something for me that's the opposite of cathartis in a way that I can't really explain).

That said, lots of bits of it are very very funny indeed. But as [livejournal.com profile] libellum says, the tragedy and the comedy heighten each other after a while. It's all very strange and weird and gross and wonderful and the only thing I know that quite compares with it in any genre is The League of Gentlemen.

You were a fabulous as Caesar and wonderful as Demetrius. And I didn't enjoy holding my hand over your mouth while you struggled lots at all oh no not at all I wouldn't do that... *grins*
 
posted by [identity profile] borusa.livejournal.com at 11:11pm on 09/01/2007
It's grotesque, I rather think.

I liked it immensely, though it's very disturbing. Especially being quite that unpleasant.
 
posted by [identity profile] mirabehn.livejournal.com at 11:23pm on 09/01/2007
*nods*

Yes. That's the right word.

Oh, I love it. It just took me a while to be able to cope with the concept of food and remaining upright without things to lean on if I needed to and other such things. ;-)
 
posted by [identity profile] the-lady-lily.livejournal.com at 02:53pm on 10/01/2007
Don't try to excuse yourself from your own puns, sirrah!

Cassius and Anthony were very well acted.

*blush* Thank you. You were an excellent corpse and a convincing dictator ;)
 
posted by [identity profile] romauld.livejournal.com at 02:01pm on 15/01/2007
I'll second that. I was having Serious Problems that morning, having realised half-way through acting T&C that actually, the character I was playing was a completely different person with a different plot than I had thought when I brought him on stage.

You made JC a man of power and dignity from the very first line. I needed that: it would have been very difficult indeed to make Anthony any kind of a character if I didn't have a Ceasar who could command, rather than simply receiving, the respect of a warrior of Anthony's calibre. Seriously: without your performance, I could never have made what I did of your eulogy.
 
posted by [identity profile] romancinger.livejournal.com at 02:54pm on 10/01/2007
Titus Andronicus is the one Shakespeare play I've never read right through - can't really stomach it. Actually playing in it must be - hmm, weird.

But I'm going to see Lear next week (with Ian McKellen!) so I shall have to wear my unsqueamish hat, I suspect!
ext_27570: Richard in tricorn hat (Default)
posted by [identity profile] sigisgrim.livejournal.com at 10:46pm on 10/01/2007
can't really stomach it.

*groan*


Lear next week

Wrong!

It's Merry Wives the weekend after next (20th); it is Lear on March 31st.

Stop confusing [livejournal.com profile] rustica and [livejournal.com profile] sally_maria!

In fact, Lear doesn't start until March 24th.

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