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posted by [personal profile] emperor at 09:24am on 25/11/2010 under ,
Is there a standard warm-up / set of warm-ups for singers? I mean more for a group than for an individual.

I know how I like to warm up, but I think I'm rather odd. When I've directed choirs in the past, I've just sort of made something up (scales, some easy music with lots of good vowel sounds, that sort of thing), but presumably someone has thought about this in a more systematic way?
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posted by [identity profile] khalinche.livejournal.com at 12:58pm on 25/11/2010
This is probably less than helpful because I am not pointing you at a place where there is a list of suggested warm-ups, but most of the choir directors I have sung under have used slightly different techniques. I have probably sung about 12-15 different kinds of warm-up exercises which do different things in terms of range, breathing, accuracy etc.

I have asked Ewt, who is hugely more qualified to comment what with being a msuician and a choir director, and her short answer is 'no,there is no set practice, but some people have thought about it more systematically'. She says that Nancy Telford wrote a book called something like 'Vocal Warm-Ups' covering them, and that she (Ewt) usually starts her choir off with some posturey stuff and breathing stuff bfore singing. She adds that vocal chords are a muscle so you want to warm up as much of the range of the muscle as you can, but not too quickly.
 
posted by [identity profile] didiusjulianus.livejournal.com at 11:40pm on 25/11/2010
And Youngest's most excellent & experienced teacher recommends strongly that when you start singing you start fairly low in your range and work down some short scales first i.e. never start singing by going up (as so many people/choirs do) as you risk straining your voice while trying to warm it up. (n.b. you only need to do this briefly before you can start gently extending upwards).
 
posted by [identity profile] aendr.livejournal.com at 01:34pm on 25/11/2010
I used to sing in a choir where the director was an RCM singing teacher. Her warm ups were the most effective of all the choirs I have attended. They varied each week. They generally consisted of

- some movement - shrugs, neck rolls, wiggling hands and arms
- breathing exercises - initially not vocalised breathing in on a count, holding for a count and breathing out for a count, with the holding and out counts increasing, followed by breathing out on a count while singing a steady note
- singing exercises, such as scales or arpeggios with useful sounds eg "meh-oh" (not may-yo), "ti-ti" up and "ta-ta" down, "zing, zing-a-ring x3, zing-a-rah x5", where the start note of the scale moved up, then down, to extend the range.

She also did a warm down, singing something familiar (but new each term) which was short, fun (often a canon), not too difficult in terms of vocal range, neither pianissimo nor forte and soothing (because it was 9pm and we had study/work the next day and needed not go home on too much of a choir "high".)
 
posted by [identity profile] skordh.livejournal.com at 08:46pm on 25/11/2010
Yeah we did some of these recently when a choir trainer came to do exercises with us.
 
posted by [identity profile] imc.livejournal.com at 09:42pm on 25/11/2010
Every conductor I've sung with has done something different (in several cases, nothing at all, although just beginning with singing through the hymns pretty much worked for me). I once wrote down the typical warmups used by one of them, but I've no idea if there was anything scientific in it.
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posted by [identity profile] megamole.livejournal.com at 05:40pm on 26/11/2010
Loads.

Mostly it's about up and down scales/arpeggios/repeated figures, and then changing vowel sounds as you go up adn down, to ensure constant steady vocal placement.

Also, don't go to extremes; don't take basses/altos above an E flat or sops/tenors above a G in a warmup.

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