Is there a standard warm-up / set of warm-ups for singers? I mean more for a group than for an individual.
I know how I like to warm up, but I think I'm rather odd. When I've directed choirs in the past, I've just sort of made something up (scales, some easy music with lots of good vowel sounds, that sort of thing), but presumably someone has thought about this in a more systematic way?
I know how I like to warm up, but I think I'm rather odd. When I've directed choirs in the past, I've just sort of made something up (scales, some easy music with lots of good vowel sounds, that sort of thing), but presumably someone has thought about this in a more systematic way?
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I have asked Ewt, who is hugely more qualified to comment what with being a msuician and a choir director, and her short answer is 'no,there is no set practice, but some people have thought about it more systematically'. She says that Nancy Telford wrote a book called something like 'Vocal Warm-Ups' covering them, and that she (Ewt) usually starts her choir off with some posturey stuff and breathing stuff bfore singing. She adds that vocal chords are a muscle so you want to warm up as much of the range of the muscle as you can, but not too quickly.
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- some movement - shrugs, neck rolls, wiggling hands and arms
- breathing exercises - initially not vocalised breathing in on a count, holding for a count and breathing out for a count, with the holding and out counts increasing, followed by breathing out on a count while singing a steady note
- singing exercises, such as scales or arpeggios with useful sounds eg "meh-oh" (not may-yo), "ti-ti" up and "ta-ta" down, "zing, zing-a-ring x3, zing-a-rah x5", where the start note of the scale moved up, then down, to extend the range.
She also did a warm down, singing something familiar (but new each term) which was short, fun (often a canon), not too difficult in terms of vocal range, neither pianissimo nor forte and soothing (because it was 9pm and we had study/work the next day and needed not go home on too much of a choir "high".)
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Mostly it's about up and down scales/arpeggios/repeated figures, and then changing vowel sounds as you go up adn down, to ensure constant steady vocal placement.
Also, don't go to extremes; don't take basses/altos above an E flat or sops/tenors above a G in a warmup.